Soundtrack Spotlight: 90s favorites

Welcome to a new column here on MRFH, Soundtrack Spotlight!  Ever since Mutant Reviewers was incorporated, we’ve taken time here and there to highlight soundtrack scores and musical numbers as well as the films themselves.  Well, I want to make this more of an official thing by occasionally hosting a spotlight wherein I’ll share with you five of my favorite scores, grouped by theme.

For this inaugural article, I’m going to pick scores that were among the very first I ever purchased in the 90s when I got my first CD player.  It was a monstrous beast of a machine, a 7-disc CD changer boombox, and I loved it quite a bit.  If you could travel back in time and — for some bizarre reason — visit my room, chances are you’d hear me playing one of these tracks:

http://www.youtube.com/watch?v=BXjKwjvuunY

1. Dave – Main Theme

Dave’s theme is incredibly identifiable, and that’s probably because so many comedy trailers used it for years afterward.  It’s a very bubbly, well-done piece that fit the film perfectly, and I’d even put it as among James Newton Howard’s best.

http://www.youtube.com/watch?v=o6fka74ZnpU

2. Jurassic Park – Welcome to Jurassic Park

Past 1994, I don’t think anything John Williams has produced has been as splendid as what he did before that mark.  1994 was notable in that he made two classic scores: Schindler’s List and Jurassic Park (both directed by Steven Spielberg as well).  Jurassic Park’s theme is meant to be played as loudly as possible and is a favorite of high school orchestras everywhere.  It contributed so heavily to the sense of wonder and majesty of the film’s titular park, and if this had to be the last big hurrah of Williams’ career, I’m happy this was it.

3. Dances with Wolves – John Dunbar Theme

The late John Barry’s score for Dances with Wolves won an Oscar in 1991, and rightfully so.  It’s such a sweeping, epic score that would fit in just as well in the 50s as it did in the 90s.  I liked that it combined western motifs, a bit of Civil War marching themes, and Native American beats to create something that would echo in your skull for a long time after hearing it.

http://www.youtube.com/watch?v=uP0EK6dQ-a8

4. Star Trek VI – The Battle for Peace

I’ve gushed about Cliff Eidelman’s score on MRFH many times before, but it bears repeating: This is the best Star Trek sountrack, period.  It’s dark, moody, and once it gets going there’s no stopping it.  I’ve listened to this dozens if not hundreds of times, and it still gives me chills.

5. Mission: Impossible Theme (1996)

The M:I theme from the first movie took the classic (and catchy) tune to a fun place, with a grungier beat and synthesizers.  I’ve always liked it, definitely more than the later films’ versions, so it got plenty of play on my CD player.

5 comments

  1. Awl-RIGHT! I’m always happy when film and TV scores get recognition! If they got more love from the general public, there wouldn’t be so much anxiety over whether or not the CD will contain *that one track* you liked from the movie, because soundtrack CDs everywhere would be complete (rather than the lousy “selections from the score” bullcrap we soundtrack enthusiasts have to put up with).

  2. Last hurrah? What about John William’s score for Harry Potter and the Sorcerer’s Stone? The opening notes of that piece are so definitive that they were used in every subsequent film, not to mention the best moments in the final film utilized this music perfectly.

  3. Great article! I’m not sure I agree with JP being Williams’ last hurrah, but it is a fine (and unjustly overlooked) piece of music. Good luck getting something like that written for your dino movie today!

    Sounds like the M:I theme you have there is the Adam Clayton & Larry Mullen remix; it’s good stuff, but you should check out what Danny Elfman did with the tune in the score proper.

    Too bad Cliff Eidelman never got much of a career to follow up on STVI. Rumor has it that Intrada Records will release a deluxe version of the STVI score this year, though!

Leave a reply to Saturday’s Six: One-Artist Soundtracks « Mutant Reviewers From Hell Cancel reply